Dans ma main, the sophomore release by pianist and composer Jean-Michel Blais, is an expansive album of post-classical piano with strands of electronic detail. Blending his conservatory skill and precise pop sensibility with synthetic accompaniment, Blais creates unique environments where the piano’s intimacy can be subtly disrupted at any time.
Largely composed in one week of open exploration, Blais comes closer to the improvisational source of his writing, painting impressionistic stories within the fluid, indefinite outlines of dreams. Dans ma main rolls like clouds of nostalgic fog blown away on a clear wind, at once recalling and signifying the end of Il, his critically acclaimed 2016 debut album.
By contrast, Il was written and recorded by Blais over two years, culled from rolls of accumulated experimentation into an enchanting, unignorable arrival. Il unearthed an unknown musical imagination, with overwhelmingly intimate compositions cloaked in the romantic din of Montreal city noise. The debut album would go on to amass 50 million streams worldwide, reaching #1 on Billboard’s Classical chart in Canada 14 times, and transforming audiences globally.
Dans ma main explores an everyday life awash in spirituality, stemming from Blais’ interplay with music as therapy. Compelled by the cathartic air that audiences exude in his pin-drop performances, Blais considers how music has served as a tool of wellness in his own life. From his prior career in special education, to the role classical and ambient music played soothing the Tourettic symptoms he experienced as a child, Jean-Michel’s new compositions subconsciously call upon these periods of his life, reimagining a serenity he had only experienced seated at the piano.
Decidedly not limited to the keys as his compositional palette, Blais’ music is imbued with an emotional depth that belies its wordlessness. His playing and composition are poetic in themselves, with an inspired understanding of the inherent lyricism in instrumental music.
Growing up in rural Quebec, Blais began writing original compositions by age 11, and by 17 was invited to the Trois-Rivières Music Conservatory. However, the constraints of formal training drew Blais off this musical course, putting aside his piano until years later, settling in Montreal, he rediscovered his love.
The result, as Blais’ body of work unfurls, is the creation of a new musical forum where freshly sounded notes bounce back instantly with the magic and wisdom of shared space. Dans ma main captures but one moment of this infinite lineage, but with it comes the reminder of all the energy we hold in our own hands, in this moment.
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