Friday, Mar 22, 2019 12:00p -
10 1/2 Beacon Street
Boston, MA 02108
Art, Lectures & Conferences, Social Good, University
with Jessie Morgan-Owens
registration NOT required
When a decades-long court battle resulted in her family’s freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. Famous abolitionists Thomas Wentworth Higginson, Henry David Thoreau, and John Albion Andrew would help Mary and her family in freedom, but Senator Charles Sumner saw a monumental political opportunity. Due to generations of sexual violence, Mary’s skin was so light that she “passed” as white, and this fact would make her the key to his white audience’s sympathy. During his sold-out abolitionist lecture series, Sumner paraded Mary in front of rapt audiences as evidence that slavery was not bounded by race.
Weaving together long-overlooked primary sources and arresting images, including the daguerreotype that turned Mary into the poster child of a movement, Jessie Morgan-Owens investigates tangled generations of sexual enslavement and the fraught politics that led Mary to Sumner. She follows Mary’s story through the lives of her determined mother and grandmother to her own adulthood, parallel to the story of the antislavery movement and the eventual signing of the Emancipation Proclamation.
Girl in Black and White restores Mary to her rightful place in history and uncovers a dramatic narrative of travels along the Underground Railroad, relationships tested by oppression, and the struggles of life after emancipation. The result is an exposé of the thorny racial politics of the abolitionist movement and the pervasive colorism that dictated where white sympathy lay―one that sheds light on a shameful legacy that still affects us profoundly today.
A scholar, educator, and writer with fourteen years experience teaching and practicing participatory writing pedagogies, Jessie Morgan-Owens received her doctorate in American Literature from New York University. She is currently the Dean of Studies and director of curriculum at Bard Early College in New Orleans, an initiative to increase access to college and the liberal arts by offering tuition-free, immersive college experiences for public high school students. Her book, Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement (March 2019, W.W. Norton) introduces an unknown poster child whose photograph transformed the abolition movement. Her research in photography and abolition has been supported by a National Endowment of the Humanities grant and a residency at the Newhouse Center for the Humanities at Wellesley College. In addition to her academic work in photography, Jessie shoots professionally with the award winning team Morgan & Owens. She is originally from Monroe, Louisiana.