Concert I: Lydian String Quartet presents Beethoven+

The Lydian String Quartet, in collaboration with the Goethe-Institut Boston, will present the complete string quartets of Ludwig van Beethoven in a series of 8 concerts over two years, culminating with the 200th anniversary of Beethoven’s death in Spring 2027. Each concert will present two Beethoven quartets framing contemporary works that demonstrate Beethoven’s lasting influence and providing new context for listening and understanding these canonical works in today’s world.

Please get your tickets here: The Lydian String Quartet: Beethoven+ Concert 1 Tickets, Sun, Nov 16, 2025 at 3:00 PM | Eventbrite

I.

Op. 18, No. 4 

Anders Hillborg (b. 1954) – Kongsgaard Variations (2006) 

Op. 127 

Beethoven’s early, dramatic, C minor string quartet (Op. 18, No. 4) showcases the boldness of the young composer’s voice where one can hear the roots of tension between classical form and a very personal kind of emotional expression. The majestic Op. 127, the first of Beethoven’s late quartets, is a culmination of this development where the rigors of classical form are subsumed by an intimate lyricism and profound expression. At the heart of this late masterpiece is a sublime set of variations, an archaic form which Beethoven returned to throughout his life, now elevated to a spiritual dimension. Swedish composer Anders Hillborg brings a similar transcendent quality to his own set of variations for string quartet. Based on a fragment from the Arietta of Beethoven’s last piano sonata, the Kongsgaard Variations inhabit the same expressive world as Beethoven’s late-period variations with a distinctively contemporary voice.

About the Lydian String Quartet

From its beginning in 1980, the Lydian Quartet has embraced the full range of the string quartet repertory with curiosity, virtuosity, and dedication to the highest artistic ideals of music making. In its formative years, the Lydians were awarded top prizes in international string quartet competitions, including Evian, Portsmouth and Banff, culminating in 1984 with the Naumburg Award for Chamber Music. In the years to follow, the quartet continued to build a reputation for their depth of interpretation, performing with "a precision and involvement marking them as among the world's best quartets" (Chicago Sun-Times). From the acknowledged masterpieces of the classical, romantic, and modern eras to the remarkable compositions written by today's cutting-edge composers, the Lydian Quartet approaches music-making with a sense of exploration and personal expression that is timeless.

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