Boston Philharmonic Orchestra featuring Britten, Bartok & Shostakovich
When:
Friday, Nov 17, 2023 8:00p -
10:00p
Friday, Nov 17, 2023 8:00p -
10:00p
Where:
Online event
Admission:
$125.00, $95, $65 and $32; $10 for students. Subscriptions also available
Hosted by:
Categories:
Music, Rainy Day Ideas, Virtual
Event website:
https://www.bostonphil.org/concerts/2023-2024/bpo2-britten-bartok-shostakovich
The second concert in the 2023-24 season celebrating the 45th year opens with Britten’s “Passacaglia” from Peter Grimes and Bartok's Piano Concerto No. 3, featuring Israel-born pianist and conductor Benjamin Hochman, who made his professional piano debut at age 24 at Carnegie Hall with the Israel Philharmonic conducted by Pinchas Zukerman, and concludes with Shostakovich's damning but triumphant Symphony No. 10.
Britten “Passacaglia” from Peter Grimes
Bartok Piano Concerto No. 3
Benjamin Hochman, piano
Shostakovich Symphony No. 10
Founder and Conductor Benjamin Zander will provide his popular "Guide to the Music" talk prior to the concert at 6:45 PM. All ticket holders are invited.
According to Zander:
"It may seem strange to begin a concert with a seven-minute opera excerpt but bear with me. The “Passacaglia” from Benjamin Britten’s Peter Grimes, with its ominous and foreboding opening viola solo, is the highlight of the opera where the narrow-minded and blinkered townspeople close in on their prey. Similarly, Shostakovich’s 10th Symphony composed just after the death of Stalin, depicts the confrontation between the dictator himself (portrayed in the harrowing 2nd movement) and the terrified composer (identified by the initials of his name spelled out in musical notation). Britten and Shostakovich deeply admired each other’s work and related to each other around the notion of persecution - personal, political, and artistic.
The soloist for the second concert is also new to us. Benjamin Hochman, who will play the Bartók 3rd Piano Concerto, came to my attention when my friend, Mark Churchill, raved about the extraordinary experience–both musical and personal–of his performance of this very work with Symphony Pro Musica. Hochman is a profound artist, as you can hear in his rendition of Schubert, so he will be perfect for this heartfelt and radiant work, which Bartok composed as a love letter to his wife while lying in a New York hospital awaiting death from cancer. Because of his illness, the final 17 bars had to be composed by a friend.
When I heard that the Bartók 3rd was Ben Hochman's favorite piano concerto, and I realized I hadn’t performed it since I did it with the great Russell Sherman and the Civic Symphony nearly 50 years ago, I decided it would go wonderfully between the “Passacaglia” from Peter Grimes (written in the same year, 1945) and the Shostakovich (eight years later), complimenting the theme of the concert.
This is a concert about the capacity of human beings to overcome enormous odds. There is much tragedy in this music, but finally, it is a concert in which the three composers, each in their distinctive way, offer us, through their profound art, a pathway to courage.
The other concerts in the 2023-24 season include:
Saturday, February 24, 2024, 8 PM
Ravel Pavane for a Dead Princess
Berg Violin Concerto
Liza Ferschtman, violin
Mahler Symphony No. 1
Friday, April 26, 2024, 8 PM
Mozart C Minor Piano Concerto
Alessandro Deljavan, piano
Bruckner Symphony No. 9
